Wednesday, April 16, 2014

More on the Journey Through Pain

First of all, I wanted to include an update on my current piece, now entitled "Dave's Pain". My time to spend on my art has been squeezed down to a couple of hours/wk. So, production is minimal. 
I still need to expand some of the dark line-work into more of the face and hair. Not sure if I can get that done by this Friday. What's the rush? Well, I entered the piece into a local invitational. Even without the touch-ups, the portrait can hold its own. 
The delineation, while continuing to support the concept of a "maze", has taken on a secondary message relating to broken pathways. Our perspective is limited. We can't see the end; just bits and pieces of what appears to be a pattern. I'm reminded of the metaphor of the tapestry or weaving as viewed from the backside. In the following quote,  Jean-Pierre de Caussade explains it in a powerful way:
"When the soul is well, all is well, because what is from God, that is to say, His part and His action are, as it were, the counterpoise of the fidelity of the soul. It is the best part of the work, which is done something like beautiful tapestry, stitch by stitch from the wrong side. The worker employed on it sees only the stitch he is making, and the needle with which he makes it, while all the stitches combined form magnificent figures which do not show until, every part being complete, the right side is turned outwards. All the beauty and perfection of the work remain in obscurity during its progress. It is the same with the soul that has abandoned itself to God; it has eyes only for Him and for its duty. The performance of this duty is, at each moment, but an imperceptible stitch added to the work, and yet with these stitches God performs wonders of which He sometimes allows a glimpse to be seen, but which will not be visible in their entirety till revealed on the great day of eternity. How full of goodness and wisdom is the guidance of God!" (p.97)

Abandonment to Divine Providence, Jean-Pierre de Caussade

Here are some more quotes from the same book, just for your contemplation:

When one is thirsty one quenches one’s thirst by drinking, not by reading books which treat of this condition. The desire to know does but increase this thirst. Therefore when one thirsts after sanctity, the desire to know about it only drives it further away. Speculation must be laid aside, and everything arranged by God as regards actions and sufferings must be accepted with simplicity, for those things that happen at each moment by the divine command or permission are always the most holy, the best and the most divine for us. (p.16)

The will of God has nothing but sweetness, favours and treasures for submissive souls; it is impossible to repose too much confidence in it, nor to abandon oneself to it too utterly. It always acts for, and desires that which is most conducive to our perfection, provided we allow it to act. Faith does not doubt. The more unfaithful, uncertain, and rebellious are the senses, the louder faith cries: “all is well, it is the will of God.” There is nothing that the eye of faith does not penetrate, nothing that the power of faith does not overcome. It passes through the thick darkness, and, no matter what clouds may gather, it goes straight to the truth, and holding to it firmly will never let it go. (p.29)

There is a kind of sanctity in which all the communications of God are luminous and distinct; but in the passive state of pure faith all that God communicates partakes of the nature of that inaccessible darkness that surrounds His throne, and all ideas are confused and indistinct. The soul, in this state of obscurity is often afraid, like the Prophet, of running headlong against a rock. “Fear not, faithful soul, for this is your right path, and the way by which God conducts you. There is no way more safe and sure than this dark way of faith.” “But it is so dark that I cannot tell which way to go.” “Go wherever you please; you cannot lose the way where there is no path; every way looks the same in the dark, you cannot see the end because nothing is visible.” “But I am afraid of everything. I feel as if, at any moment, I might fall over a precipice. Everything is an affliction to me; I well know that I am acting according to abandonment, but it seems to me that there are things I cannot do without acting contrary to virtue. I seem to be so far from all the virtues. The more I wish to practice them the more remote they seem. I love virtue, but the obscure impressions by which I am attracted seem to keep virtue far from me. I always give in to this attraction, and although I cannot perceive that it guides me well, I cannot help following it. The spirit seeks light; but the heart is in darkness. Enlightened persons, and those with lucid minds are congenial to my spirit, but when I hear conversations and listen to discourses, my heart understands nothing; its whole state and way is simply an impression of the gift of faith, which makes it love and appreciate those principles, truths, and paths wherein the spirit has neither object nor idea, and in which it trembles, shudders, and falters. I have an assurance, I do not know how, in the depths of my heart, that this way is right; not by the evidence of my senses, but by a feeling inspired by faith.“ (p.75)

This is because it is impossible for God to lead a soul without persuading it that the path is a right one, and this with a certainty all the greater the less it is perceived. And this certainty is victorious over all censures, fears, efforts, and all imaginations. The mind vainly cries out and seeks some better way. God and the soul work in common, and the success of the work depends entirely on the divine Workman, and can only be spoilt if the soul prove unfaithful. (p.79)


 

Thursday, February 6, 2014

Finding the Path. Using the Path.

 The main problem with having a studio space away from home is the limited blocks of time that can be spent on production. I can't afford to drive there whenever I have a break. Besides, the space is used by other folks from time to time. There really isn't much choice; I can't do any work, of any preferred scale, in my small home and my painting materials would freeze and be ruined (I never keep the heat on over night, so it's routinely below freezing every morning when I get up...even in the teens!).

I started a new version of my "excavation series". The intersecting lines have been compressed and are more interwoven; creating a type of maze. This advances part of the message of  an "excavation" piece: pathways. The roads blend and overlap with different colors and in different directions. There's still structure, but the order is impractical...the paths take you nowhere and, like in any maze, it's easy to get lost.

I started this new approach without knowing why and, now that I understand the personal connection, the execution is frustrating. It gives expression to my convoluted path of the past 6 years: wondering, trying one door after another, going from one dead end to another. Some doors are nothing more than a painting of a door. For me, the art offers no answers but accentuates the frustration of my life these days.

The piece to the left is in process. It's from a photograph of a friend of mine when he was at one of the lowest points of his life. As you know, every piece that an artist makes is a bit of a self portrait.


The maze pathways in the shirt have already been filled with the second layer of plaster and are made up of cool colors. The background will be darker, with the top portion broken up into those attacking or emanating electrical charges. Looking at it now, they seem like distorted figures in some sort of Mayan delineation. I began working on the face itself today.

It's my hope that through this confusing journey the Lord will speak to me and lead me to a new experience of Himself. Until then...I'm learning to be content in the maze.

"For the Lord God is a sun and shield; 
the Lord gives both grace and glory; 
no good thing does He withhold from those who walk uprightly."
Psalm 84:11          

"My help comes from the Lord, who made heaven and earth.
He will not allow your foot to slip;
He who keeps you will not slumber."
Psalm 121:2-3        

"The Lord will protect you from all evil; 
He will keep your soul.
The Lord will guard your going out and your coming in
from this time forth and forever."
Psalm 121:7-8        

I added this followup image (right) to show some development. More has been added since then, but it involved filling with the second layer, obscuring the portrait. This all becomes a part of the "building up, digging down; excavation" process which is indicative of my technique. The image will be resurrected after all has been filled, dried, and then sanded.





This step shows the final layer having been added and drying. This 32x48 inch panel will next be sanded down to reveal the original plaster line "drawing", but I will have to wait a few days until the snow melts and the ground dries a bit (besides, I'll be going to an evangelistic convention during the end of the week). That is due to the fact that such sanding must take place outside.

After vacuuming the surface, I'll seal it with a polycrylic and then decide what acrylic glazing needs to be done to enhance the image (eg, primarily shading to clarify form). Then another polyseal coating and a simple frame made out of firing strips. I'll be sure include a picture of the completed piece.




      

Friday, January 3, 2014

The Weather has Forced a Move

These cold temperatures are too much! I moved my supplies to a warm storage location a month ago and plan on resuming production next week. Don't mean to be secretive...but it's at an undisclosed location (no, I won't be underground for another couple of years!).

Sunday, September 22, 2013

Mosaics Festival of the Arts

 
The Lewis and Clark Fife and Drum Corps. 

This was the best festival of the season for me. The set up was easy, the weather was great (and the rain held off until I was totally packed on Sunday), lots of good visits with friends, good interaction with fellow artists (especially a reconnection with David and Ann), record breaking pack up time, excellent sales (enough to make up for the 4 flops preceding this show), and a special stay over with the Outlaws for the weekend (visiting their church on Sunday morning as well).
Even though I had good sales and a couple of commissions, I knew that this was going to be my last festival (officially). I'll do another here or there as the Lord directs, but this was the end of this part of my art business...and a great way to close!



Saturday, August 24, 2013

Art on the Riverfront

Well, even though sales were not what they've been like over the recent years, the opportunity to visit with family and friends is always worthwhile!

What a beautiful venue for a festival...and that's not just because Grand Haven is my home town! Right on the waterfront boardwalk, with a cool breeze, the sound of river traffic, and a laid back park-type setting.

Wednesday, August 14, 2013

The Waukesha Blues Festival

Here are just a couple of images from the festival I displayed at the weekend of Aug 10th.
A view of the main stage under the big-top.

Waukesha is a Gibson guitar town and has displayed a number of these guitar sculptures in the downtown area. This is their one dedicated to Carlos Santana.

The antique car display.

Sales were down for me considerably this year, hm... maybe that's why I forgot to include a shot of my booth!

Saturday, June 15, 2013

Recent Art Production

 My studio space is such a limitation, especially when it comes to the weather. I wasn't able to get back to any serious making of art until early May! A lot of what I need to do in my technical process requires outside facility. So, once the temperatures became favorable and the rain stopped, I was able to get some pieces under way.
This abstraction was started as a demo piece during a PSAD open house in April. Again, it's a transitional piece and one where I wanted to introduce some subtle delineation; creating a contrast between the organic and geometric elements.


In "Helmet Boy meets Bird Man", I simply wanted to play with the layering of squirted lines of pigmented plaster. These lines were laid on a dry under-painting of my typical multiple layered plaster, tempera paint, and fabric dye. I was aiming at a more formal Paul Klee feeling.
Well, I just have to keep exploring the Icon motif! This was a commissioned piece from a customer who stopped by my booth during the Paducah festival. "St Lawrence, the patron Saint of Cooks" as an appropriate piece of art to be displayed on the wall of a commercial kitchen! And so it will be.
I think that I'm going to create some of my own "saintly characters" for vocations that don't have specific patron saints and see if there is an interest for such pieces (I guess, Icons on the lighter side!).







Here is a late addition to the post. I discovered it in my small storage unit, saw that it was unfinished piece from 2012, decided to seal it, and add some glazing. It's one of the larger (32x48) "excavation" series pieces but with a little influence from Delaunay and the Futurists.